WRGW Music

DEANNA REYES// Carlos Vives Colombian Vallenato with a twist has been a staple in my life since I was born. The Grammy winning singer songwriter has a career that spans over 30 years, all filled with innovation and appeal to all ages and Latinos across the globe. Vives wasn’t always a music giant, he began his career acting in telenovelas before releasing his ballad album ‘No Podras Escapar De Mi’ which was preceded by two more ballad albums, which failed to popularize. Vives found his sound when he collaborated with a Vallenato band called ‘La Provincia’ and began to infuse rock and indigenous Colombian sounds into a classic Vallenato composition. The album led to success all over Latin America and charted in American Billboards Charts, and Vives has become a legend amongst Latino artists.

Vives’ recent hit “La Bicicleta”, a collaboration with other Colombian superstar Shakira, swept the Latino music world by storm. The track combines cumbia, pop, as well as some indigenous wind instrument, in fun way which incites people to get up and dance. The song came along with a video which was filmed in both artists’ hometowns and features the real people living in them in a nostalgic and colorful background.

Continue reading “Colombian Superstar Carlos Vives Returns to the States, 9/23”

BY TORI SWIACKI// Courtney Barnett, the indie darling of Australia, is returning to Washington, DC this Tuesday, July 24.

Barnett and her music have always held a certain staying power, between the blend of folk guitar dressed up with garage rock influences and her deadpan lyrics giving fans no shortages of witty quotes to swap. The most recognizable, and perhaps my personal favorite, will perhaps always be, “Give me all your money, and I’ll make some origami honey,” from her 2015 sophomore album, “Sometimes I Sit and Think, and Sometimes I Just Sit.”

  Putting the sometimes pithy nature of her usual lyrics aside, other tracks reveal a soft, queer love, like “Depreston,” telling the story of moving in with a partner and what it feels like to choose a new home for oneself. In her newest album, “Tell Me How You Really Feel,” Barnett shows a rare display of aggression in the middle track, “I’m Not Your Mother, I’m Not Your Bitch,” which is neatly balanced out by the opening track “Hopefulessness,” with a simple plucked melody that never fails to hypnotize.

Continue reading “PREVIEW Courtney Barnett at The Anthem 7/24”