An Interview with The Walking Sticks

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D.C dream pop trio The Walking Sticks (composed of Chelsea Lee and brothers Spencer and Max Ernst) are coming off the excitement of having released their album Send The Night in December of last year, and are now ready to drop a new five track EP. The band has been finding great success within The District’s music scene, having just played the 9:30 Club two weeks ago, and Black Cat previous to that. Now, amid a schedule of festival and club dates, The Walking Sticks are planning a pre-release show on September 27 at DC9, complete with a live music video shoot for their new song “One Sweet Thing”. WRGW catches up with them outside of The Library of Congress, where they are taking a break in between sets of a private gig.

 

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Songs of Brilliance: U2 in the New Decade

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Courtesy of Forbes

Only the Rolling Stones can claim an evolution as variable as U2’s; Bono himself has gone from baby-faced new waver to long haired 80’s rocker to international rock star to tongue in cheek pop shocker, and now in this past decade, to sunglass wearing celebrity. Some criticize bands like U2 and The Stones for continuing to play music well into their years, but why should they? Proper rock musicians have only been around for the past fifty years as it is; there has never been a precedent for retirement. At 95 Chuck Berry still plays a regular once a month gig at a local venue in St. Louis, and B.B King has never stopped touring despite having already surpassed the average American life expectancy by ten years. In comparison U2 is still youthful at 38, and despite rumors of splitting the band has just come out with an album of post-apocalyptic proportions in every aspect. As of yesterday it stands as the only record in history to have been owned by 500 million people at the moment of its release, and as the band’s first album in five years its unexpected arrival could not have created more of a global flurry. In a letter to fans Bono wrote that U2 is “collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed.” If this is truly the case, then the album might be the impetus of a new direction for U2, albeit a currently foggy and unknown direction.

 

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