BY: SYDNEY SPENCER
On Sunday, April 15th, 2018 I will be seeing my favorite artist in D.C. for the second time. Even with graduation around the corner, nothing else could make me more excited.
Indie solo project, Waxahatchee, has humble beginnings in young Katie Crutchfield’s hometown of Birmingham, Alabama. In 2010, Katie recorded her first album, American Weekend, in her bedroom of her parent’s house. Its cassette-recorded tracks are laced with the intimacy of the young artist’s personal accounts of recklessness, finding love and losing it. With her honest lyrics and candid acoustic guitar, it’s hard not to feel connected to Katie in someway. The album was quickly discovered and praised by the indie community, its track “Be Good” was listed on NPR’s song of the day playlist and rated as one of the station’s top 50 songs in 2012.
In 2013, Katie released Waxahatchee’s second album – Cerulean Salt. The album (my personal favorite) is less melancholy and more reflective, focusing more on Katie’s experience growing up including insight into her relationship with her twin sister and moving across the country to New York City. I highly recommend checking out “Brother Bryan” or “Dixie Cups and Jars”.
Continue reading “PREVIEW: Waxahatchee @ 9:30 Club”
A Monday night is not the best night for a show, but then again, maybe it is. The crowd at the 930 Club seemed to be acting like it was a Saturday night. Perhaps it was the line up of energizing and talented bands ahead?
First up was Fictionist, hailing from, Provo, UTHA the same small town as Neon Trees. The band was comprised of five incredibly plain clothed musicians who looked like they were having the time of their life. The alternative rock group played high-energy songs, with each musician changing instruments and sharing the vocal duties. Being the opener for the opener, Fictionist was remarkably talented, good-natured, and simply down to have a good time. This video definitely sums up their playfulness, creativity, and musical talent!
8:45 pm: By now the venue had taken on the persona and energy of a venue waiting for the main act, despite only a 15 minute break between sets. Suddenly, the lights went dark, and “Since U Been Gone” by Kelly Clarkson of all songs came on, and the entire crowd went straight into singing along to the music. Maybe this was COIN’s pre show song to get the crowd pumped? Regardless, it seemed to do the trick and the band bounded onto the stage to a pretty hefty amount of cheering. COIN, with about 1.3 million hits on its most popular song on Spotify, had a decent fan-base at the venue already. From Nashville, Tennessee, the band describes itself as a “product of the 90’s” that just wants “to make music that makes you feel good.” The band definitely encapsulated the energy of the 90s, with none of its songs giving up any energy, whatsoever. The band released its debut self titled album a little over a month ago, and already many in the audience knew the words. The band did a wonderful job of hyping the crowd up, and gave them a great performance. They also had a pretty nifty looking neon sign of their band name, just sayin’.
Continue reading “7/20: Neon Trees @ 930 with COIN, Fictionist”
Courtesy of Motion City Soundtrack
Or, When the Moment You’ve Been Waiting for Since Puberty Lands on Your Computer Screen.
Here’s how it went down: it was the morning of November 10, 2014 and I was mindlessly scrolling through my Facebook newsfeed, taking half-ass notes instead of paying attention to my professor. When, in a shocking turn of events, my mundane Monday morning was transformed into THE GREATEST DAY EVER. Why is that you ask? For the first time (since my solo throwback dance party last Tuesday night, in my living room, with a bottle of sparkling peach wine) my 6th grade self was graced with the legitimate opportunity to resurface.
Continue reading “Motion City Soundtrack Announce 10-year Anniversary Tour”
Purveyors of all things involving awesome electronic music in the District, Closed Sessions is back at it and they’re bringing Snakehips and STWO (along with Royal and Hunt For The Breeze) to U Street Music Hall this Wednesday. Happy hump day!
SNAKEHIPS: For some reason, music made in the UK (and beyond) always slaps, and Snakehips is no exception to this rule. Their particular brand of electronic music is entrenched in soulful vocals, swishy synths, and deep bass. Is slow-house a thing because if so, Snakehips has it down pat. Their music manages to blend elements of house and soul, with a warmth that is not to be lost on the dance floor. Their remixes are amazing. Their original songs are amazing. This is a show you cannot miss.
Continue reading “Shows To Know: Snakehips & STWO @ U Street Music Hall 10/22”
When NO lead singer Bradley Carter, a New Zealand native, crossed paths with American bassist Sean Stenz, it was a match made in brooding heaven. Comparable to The National and White Lies, the echoey baritone vocals and dark-edged guitar make for an interesting ride. Continue reading “Shows We're Stoked For: Tonight – NO @ DC9”