BY VICTORIA MIDDLETON// San Francisco indie rock band Deerhoof says they have been “simultaneously living in two worlds“; and you are too.
Deerhoof has been releasing music since the 90s, back when indie rock was ~indie rock~. Beginning within the realm of noise punk, Deerhoof evolved to be known for a sweet, poppier sound throughout the early 2000s, although the group’s experimental spirit never faltered. Their most recent album drew it’s inspirational from the massive rip in the space-time continuum commonly known as the Trump era. Deerhoof has described the uncanny events of this age as the result of living in two worlds as once, a world hurtling toward chaos and the one that fights against it. Mountain Moves celebrates the latter. What’s more punk rock than that? Continue reading “Deerhoof Headline Union Stage This Sunday with Support by Speedy Ortiz & Pygmy Lush”
BY VICTORIA MIDDLETON// Californian singer-songer writer Matt Costa is opening for indie-pop duo Tennis tonight at Black Cat.
Costa released his first album in five years, Santa Rosa Fangs, this May. Five years is a long time away for the prolific artist who has released 7 EPs and 6 full length albums in the past 15.
Costa was discovered by No Doubt guitarist Tom Dumont in 2003. Since then he has toured with artists such as Oasis, Modest Mouse, Death Cab for Cutie, and Jack Johnson. In the time since the release of his last album in 2013, Costa soundtracked the award-winning documentary Orange Sunshine, which follows a group of hippies and surfers as they navigate the world of pyschedelics in the 60s and 70s.
Continue reading “Singer Song-writer Matt Costa opens for Tennis at Black Cat DC”
BY BEN KRON// It was one of those cold, late-fall D.C. Sundays where you just can’t seem to get out of bed when I stumbled across Wim Wender’s masterpiece of a film, Wings of Desire. As thought provoking and mesmerizing as the film was, there was one scene that seemed to stick in my head, even weeks following the day I watched it. It was a smoked filled basement… or venue (an image, I’m sure many of us are familiar with) in West Berlin during the Cold War, where a tall man dressed in tight leather jeans, stood bellowing the lyrics to “Six Bells Chime” as a crowd of people lost themselves in the heavy drums, and ‘gothic rock’ guitar riffs.
From that day forward, Nick Cave & The Bad Seeds have held a special place in my heart; one no other band has been able to fill. Nick Cave & The Bad Seeds and their music have been considered “one of the most original and celebrated bands of the post-punk and Alternative rock eras in the ‘80s and onward.” The band’s most well-known songs include “Into My Arms,” “O Children,” and my personal favorite “Red Right Hand.”
Continue reading “Nick Cave & The Bad Seeds Come to The Anthem, 10/25”
DEANNA REYES// Carlos Vives Colombian Vallenato with a twist has been a staple in my life since I was born. The Grammy winning singer songwriter has a career that spans over 30 years, all filled with innovation and appeal to all ages and Latinos across the globe. Vives wasn’t always a music giant, he began his career acting in telenovelas before releasing his ballad album ‘No Podras Escapar De Mi’ which was preceded by two more ballad albums, which failed to popularize. Vives found his sound when he collaborated with a Vallenato band called ‘La Provincia’ and began to infuse rock and indigenous Colombian sounds into a classic Vallenato composition. The album led to success all over Latin America and charted in American Billboards Charts, and Vives has become a legend amongst Latino artists.
Vives’ recent hit “La Bicicleta”, a collaboration with other Colombian superstar Shakira, swept the Latino music world by storm. The track combines cumbia, pop, as well as some indigenous wind instrument, in fun way which incites people to get up and dance. The song came along with a video which was filmed in both artists’ hometowns and features the real people living in them in a nostalgic and colorful background.
Continue reading “Colombian Superstar Carlos Vives Returns to the States, 9/23”