I made my way to the Rock and Roll Hotel last Thursday to see Savoir Adore and ON AN ON perform. After a harrowing taxi ride that felled a bicyclist in rush hour traffic, I didn’t exactly feel up for the promise of a mellow and ethereal indie pop concert, but both bands brought out a raw energy that was simply infectious. With their genre-transcending music and personable stage presences, Savoir Adore and ON AN ON gave truly intimate performances at the venue.
Savoir Adore opened the concert, walking onto the stage in all white outfits. As the lights switched and they were swathed in a soft blue glow, the all white outfits made much more sense. Following in the line of their fantasy-like music, the changing colored lights clouded them in a haze that lent itself to the mood of their set. Starting off with “Garden”, Savoir Adore immediately captured the attention of the people milling around the entrance of the venue, drawing people closer to the stage. Although the sound balance at the beginning made the drums sound almost painfully harsh, as the venue filled up and there was less empty space, the drum reverberated less. As they segued into “Loveliest Creature,” the mellow ambiance gave way to a much more upbeat mood that was followed by their live rendition of a new unreleased track to appear on their upcoming rerelease of Our Nature. The crowd response was overwhelmingly positive to the new music and created an infectious good feeling with people finally starting to let loose and dance. Even in the face of technical difficulties before “Sea of Gold,” Paul and Deidre joked about it and brushed the complication aside. Savoir Adore’s “Bodies” really stood out in their set, showcasing Deidre’s full and breathy singing voice which juxtaposed nicely against Paul’s. Ending with their single “Dreamers”, they left the stage to a great response from the crowd, with people echoing positive sentiments about the band.
Continue reading “Concert Review: ON AN ON & Savoir Adore”
I recently had the chance to talk to Paul Hammer and Deidre Muro from Brooklyn-based group, Savoir Adore. Known for their adventure pop style of music, Savoir Adore’s records tell elaborate tales filled with fantasy. Their rerelease of Our Nature this summer is definitely a record to look forward to but in the meantime, check out their recently released Dreamers EP.
Si: Let’s start off with your name: it’s French for “knowing love”. How did you want that to play into your music, into your lyrics?
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ON AN ON’s debut album Give In is 45 minutes full of catchy, polished pop melodies and melancholy anthems. Give In describes exactly what this indie-pop trio refuses to do. After three of the six members had left indie-rock group Scattered Trees, the remaining three regrouped and reinvented themselves along with a new and unique sound as ON AN ON. As debut albums go, Give In is a strong effort and it hints at what the band could become with some honing.
With their song “Ghosts,” ON AN ON establishes a strong emotional atmosphere for the rest of the album. Layering the raspy sounds of percussion and a buzzy guitar over the main pop melody, they create a strong feeling of longing. The full percussion creates a subtly strong beat behind the song that enhances the melody’s buildup. “Every Song in the World” captures the desire to escape, as the lyrics comment on how every song is reminiscent of someone who was part of the songwriter’s painful memories. Although the lyrics are simple and repeat for the most part, they create a hint of insistence and urgency behind the emotion. With “American Dream,” the band takes a more mellow approach by creating a lullaby, as Eisland reassuringly croons “you’re gonna be a star.” “Cops” bluntly questions authority and the sense of security authority gives us—a controversial topic expressed in the most haunting song of the album. “I Wanted to Say More” is a beautiful, hazy piece to end the album that draws out its melody until the last possible second, creating a sweet tension before its final resolution.
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