Where can you find music from Vampire Weekend, The 1975, CHVRCHES, Grouplove, Foals, The Naked and Famous and Bloc Party together on one disc? On a playlist that I burned for long car rides? Yes. But, that’s not the only place. These bands were all also featured on the soundtrack of one of the most popular video games today, Fifa. Continue reading “Soundtrack Review: Fifa 15”
On an incredibly cold Sunday night, I headed over to the 9:30 Club for a concert featuring the Kopecky Family Band and Lissie. Lissie, one of the more prominent singers in the recent folk revival, brought her blues flavoured folk rock to the venerable DC venue. Kopecky Family Band started things off and it was obvious by the second song that they were a great choice to open for Lissie. They got the normally stagnant crowd moving with their fun music and numerous crowd interactions. Their sound was what I’d imagine if ska music went on a date with folk music. Their sound was drum heavy, a fun and refreshing aspect of their live shows that allowed us to see the drums onstage right for a change rather than hiding behind the other instruments.
For those who enjoy a little cheerful pop music, it should be exciting to note that 2013 could be a year full of downloads and UPS packages. My last radio show heavily featured new music from bands with music coming out in 2013.
[gigya src=”http://www.mixcloud.com/media/swf/player/mixcloudLoader.swf” flashvars=”feed=http%3A%2F%2Fwww.mixcloud.com%2Ftweeitup%2Ftwee-it-up-14022013%2F&embed_uuid=40dd358b-5038-49af-a638-1427dca20fcf&stylecolor=&embed_type=widget_standard” wmode=”opaque” allowscriptaccess=”always” allowfullscreen=”true” width=”480″ height=”480″ ]
Veronica Falls – Waiting for Something To Happen
Born on the forefront of the 90’s, I think I can safely say what does and does not sound like music from that decade. You got your beasties, your pumpkins – even some cranberries if you’re into that. So, like most listeners, I had to change my pants after I started playing a 45-minute track Kieran Hebden uploaded to Four Tet’s soundcloud a few days back. All that accompanied the track was one line of text, “Produced by Kieran Hebden 1997-2001. Compiled 2012.” For those not familiar with Four Tet’s output, this spans a period before he even released any music under this moniker.
Hebden’s style has changed at almost every point in his career, but an arc can be seen moving from jazzy sample-based headphone tunes to complex, intelligent dance music, emphasizing the “dance” aspect the genre usually only holds as a backdrop. As someone who prefers his former work but still adores the latter, this was a welcome change of pace.