For half an hour this past Friday, the sidewalk outside Songbyrd Music House and Café was a wash of lipstick, denim jackets, top knot buns, and wire rimmed glasses. Women of all shapes, sizes, and colors lined the street, waiting to get their ticket to see Princess Nokia’s (a NYC rapper’s) late show. “It’s so exciting to see this much style in D.C.” the woman behind me commented.
I quickly realized in joining the crowd that this would be a hip-hop performance for more than the average cis male, hip-hop loving audience—a type of show that is becoming more common but is still difficult to find. Upon setting foot in Songbyrd, I could immediately feel the evening’s subtle fem-respecting energy; the mixings of a female DJ welcomed me inside, playing Kendrick’s recent “Humble” followed shortly by Kamaiyah’s “N****s.” Continue reading “Princess Nokia @ Songbyrd”→
Following her success with Aquarius and the remixes spawned from “2 On,” Tinashe released her fourth mixtape, Amethyst, yesterday. It’s an appropriate followup to her February birthday, astrological sign, and birthstone. She enlists a crew of artists, including Ritz Reynolds, Dominic Angelella, and Legacy, whom she all worked with on Aquarius, to craft an overall good mixtape, however it leaves something to be desired. One can only look forward to her next release or tour to satisfy oneself. A track-by-track review follows after the jump.
Azealia Banks. Where do I even begin? You might all know her as the rapper who released “212” waaaaaay back in the day (read: 2011). You might know her as the artist who dominated the blogosphere with the aforementioned song: brash, flagrant, but oh-so catchy. Everyone from Slate to the New York Times to the ever-omnipresent Pitchfork was talking about her. Then what happened? For the sake of keeping a very long story short (we’re all #blessed with Google these days. Feel free to further explore as you will.), I’m going to give you all the abbreviated version of her story, as I understand it. She was signed to a record label. She dropped the record label. There was loads of Twitter beef in there somewhere? Add a hearty sprinkling of announcements about the release of her debut album, which kept getting pushed back to the point of it being a joke that it would ever be released, a mixtape and a stellar EP, a few artist collaborations that never came to fruition, and here we are today. It is the Year of our Lord 2014 and Miss Banks has released Broke With Expensive Taste.
The three day music festival hosted at Winston Farm, the same 800 acre property as Woodstock ’94, was an experience defined by big sound, big lights and a huge storm. Organized by MCP Presents and SFX Entertainment, The Hudson Project started out strong with the first of the 20,000 attendees arriving late on Thursday in high spirits. Concertgoers flooded into the grounds throughout Thursday evening, creativity rampant among the campsites as the tent cities that had popped up overnight fostered a strong sense of community. When Friday morning rolled around, the festival was in full swing.