WRGW Music: What We’re Excited for in 2015

12_Courtney-Barnett_-Rivingthon-and-Allen-St.-10_16_13_By-Adela-Loconte
Courtney Barnett

It’s January 5th and we here at the WRGW Music Department are just a little bit sick of the cyclical year-end lists penned by **in-touch** music writers and tastemakers who continually peddle the same albums over and over again, with more regard for controversy (Mark Kozelek shout out) than actual substance. Let’s face it – music journalism kinda sucks. The top blogs and sites are essentially celebrity gossip forums, with occasional big words and nice pictures thrown in. The promotions companies are no better, as the wealthier bands get press and talented, hardworking ones are left in the dust. Still, rant aside, 2014 was a damn fine year in music. The mega releases of 2013 slowed down enough to allow break out artists, like Ex Hex, Ty Segall, Angel Olsen (the list goes on) to break into new territory and release exceptional, career-defining albums. The future is ripe, and there has never been a better time to be a music fan with a pair of headphones and an internet connection.

Instead of laying out the “best” albums of last year, our three assistant music directors, our music promotions director and I share below the top three artists/bands that we’re genuinely excited about in 2015. This is by no means an objective or comprehensive list; those things do not exist in music journalism. Read, listen, and watch before they get drowned out by the next Kanye single, or another War on Drugs album. Regular blog content and programming will continue starting the week of January 19th – until then, indulge our egos and maybe find your next favorite band.

–Quinn

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Songs of Brilliance: U2 in the New Decade

Courtesy of Forbes

Only the Rolling Stones can claim an evolution as variable as U2’s; Bono himself has gone from baby-faced new waver to long haired 80’s rocker to international rock star to tongue in cheek pop shocker, and now in this past decade, to sunglass wearing celebrity. Some criticize bands like U2 and The Stones for continuing to play music well into their years, but why should they? Proper rock musicians have only been around for the past fifty years as it is; there has never been a precedent for retirement. At 95 Chuck Berry still plays a regular once a month gig at a local venue in St. Louis, and B.B King has never stopped touring despite having already surpassed the average American life expectancy by ten years. In comparison U2 is still youthful at 38, and despite rumors of splitting the band has just come out with an album of post-apocalyptic proportions in every aspect. As of yesterday it stands as the only record in history to have been owned by 500 million people at the moment of its release, and as the band’s first album in five years its unexpected arrival could not have created more of a global flurry. In a letter to fans Bono wrote that U2 is “collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed.” If this is truly the case, then the album might be the impetus of a new direction for U2, albeit a currently foggy and unknown direction.

 

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