A Monday night is not the best night for a show, but then again, maybe it is. The crowd at the 930 Club seemed to be acting like it was a Saturday night. Perhaps it was the line up of energizing and talented bands ahead?
First up was Fictionist, hailing from, Provo, UTHA the same small town as Neon Trees. The band was comprised of five incredibly plain clothed musicians who looked like they were having the time of their life. The alternative rock group played high-energy songs, with each musician changing instruments and sharing the vocal duties. Being the opener for the opener, Fictionist was remarkably talented, good-natured, and simply down to have a good time. This video definitely sums up their playfulness, creativity, and musical talent!
8:45 pm: By now the venue had taken on the persona and energy of a venue waiting for the main act, despite only a 15 minute break between sets. Suddenly, the lights went dark, and “Since U Been Gone” by Kelly Clarkson of all songs came on, and the entire crowd went straight into singing along to the music. Maybe this was COIN’s pre show song to get the crowd pumped? Regardless, it seemed to do the trick and the band bounded onto the stage to a pretty hefty amount of cheering. COIN, with about 1.3 million hits on its most popular song on Spotify, had a decent fan-base at the venue already. From Nashville, Tennessee, the band describes itself as a “product of the 90’s” that just wants “to make music that makes you feel good.” The band definitely encapsulated the energy of the 90s, with none of its songs giving up any energy, whatsoever. The band released its debut self titled album a little over a month ago, and already many in the audience knew the words. The band did a wonderful job of hyping the crowd up, and gave them a great performance. They also had a pretty nifty looking neon sign of their band name, just sayin’.
After a beautiful symphony of tropical beats, along with the first live performance of the recent remix of ODESZA’s “All We Need (feat. Shy Girls), we caught up with Jake and Louis, the duo known as Autograf, to chat after their Saturday night set at U Hall. The duo delivered an upbeat, groovy, move-your-body set infused with their signature future summer style. And after their set, the boys were gracious enough to hang out with us while we enjoyed the funky stylings of Zimmer.
Death Grips have stepped out of the shadows again and brought with them their new release “niggas on the moon,” which is technically side A of a double album is titled The Powers That B. This release is the first half of a double album and contains only 8 tracks at the moment. At this point in Death Grips’ career you’re probably familiar with their shtick and know what to expect when it comes to their releases. The Sacramento-based experimental hip-hop creates music that mixes elements of hip hop and electronica in a way that results in violent and sometimes frightening music that pushes the limits of the genre. This time around Death Grips don’t disappoint, delivering their signature alternative hip-hop style. Death Grips have come back with a refreshing release that is a satisfying agglomeration of the past years of their work.
For those of you familiar with my show, you know that I love Typhoon. The band, which consists of eleven members, is led by Kyle Morton, who provides lead vocals and guitar with support from two violins, two trumpets, two drums, another guitar, a bass guitar, horns, and separate percussionist-ukulele player, all of whom sing backup. Their elaborate sound is so brilliantly layered and finely tuned that it isn’t just a wall of notes, but rather a beautifully crafted melody more complex than our ears have generally grown accustomed to.
The Hold Steady have never been big on “happy” songs. But, somehow Craig Finn and his gang always found a way to see hope in the lost and downtrodden souls that find themselves a subject of the band’s songs. This hope however, is almost nonexistent in their new album Teeth Dreams.